It’s been decades since the heyday of Skid Row, Def Leppard and other popular metal bands of the 1980s, but some of us haven’t stopped thinking about them. In A Riff Of One’s Own, journalist and pop culture critic Beth Winegarner offers two new essays looking back at ‘80s glam/hair metal through a personal and sociological lens.
In one, Skid Row’s supermodel-esque frontman, Sebastian Bach, becomes a signpost for adolescent queerness. In the other, Winegarner explores Def Leppard’s decision to name its most popular album after a sexist diagnosis – and comes closer to understanding both the album and hysteria itself.
These essays aren’t just for music fans; they’re for anyone interested in understanding how women are represented in pop music and medicine, and how musicians play with gender and sexuality.